ISOCM News

New Publication Honors Musical Legacy of the Archpriest Sergei Glagolev

October 23, 2020

Joensuu, Finland – The International Society for Orthodox Church Music (ISOCM) is pleased to announce its latest publication, “Prayer Music, and Joy” honoring the life and legacy of the Archpriest Sergei Glagolev, is now available: https://www.isocm.com/product-page/prayer-music-and-joy

The publication includes over 50 pages of liturgical music, never before seen photos, with greetings and congratulatory remarks addressed to Father Sergei.

“This collection of words, photographs, and music is testimony and homage to the inspiration that the life and work of Archpriest Sergei Glagolev have been to so many around the world,” the Protopresbyter Ivan Moody, ISOCM chairman, says in the introduction, adding, “He is a transmitter of spiritual joy, a facilitator of something that needs to be undertaken in all seriousness, with great humility and also a sense of amazed, joyous daring.”

Born in 1928, in Indiana, Father Sergei applied his musical talents throughout his priesthood encouraging choirs and singers to offer praises with joy and understanding. In the 1950s, he was the rector of the first all-English parish in North America, and for the next nearly six decades, composed sacred works, led workshops, taught seminary music courses, and inspired countless church musicians. His liturgical compositions are well-known, influencing the exploration and composition of new liturgical settings in the English-speaking world. Today, his settings are sung in parishes regardless of jurisdiction, and have been translated into other languages for use around the globe.

The ISOCM, which has previously honored church musicians and composers such as the ever-memorable Protopsaltis Nikolaos Niolaides, began organizing an informal gathering of greetings and congratulatory remarks for Father Sergei’s ninetieth birthday in August 2018. The project quickly became an outpouring of reflections and best wishes, along with over 20 choral pieces submitted from former students, colleagues, and admirers of Father Sergei’s music. The pieces are the heart of this publication, with many written in honor of the festive occasion.