The International Society for Orthodox Church Music

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Abijski, Marcin
The Problem of Reviving the Singing Tradition of the Suprasl Monastery of the Annunciation on the Basis of the Manuscript Irmologion (1598-1601). Publications No. 3, 114-121

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Ahmedaja, Ardian
Music in the churches Arbëreshë in Southern Italy and Sicily. Proceedings No. 2, 98-114

 

Fan S. Noli and Musical Practice in the Orthodox Church in Albania. Publications No. 4, 345-368

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Alexeeva, Galina
The ’Earthly’ and the ’Divine’ in the Soglasnik of the 17th century Russian Singing Azbuka no. 32.16.18 from the Library of the Academy of Science. Publications No. 3, 276-286

 

Reflections of Byzantine tradition in Russian singing terminology (on the basis of 17th century Azbuka from the Russian Academy of Science Library no. 32.16.18). Publications No. 4, 459-463

 

New methodological approaches to the analysis of the processes of adaptation of Byzantine artin ancient Russia: singing tradition and liturgical action. Publications No. 6, 219-224

 

Apostolopoulos, Thomas
Levels of Orality in Byzantine Music. Publications No. 4, 73-81

 

Diagrams and “Kanonia” as Visual Representations of Musical Instruments in the Theoryof Psaltic Art. Publications No. 6, 153-172

 

Artamonova, Yulia

The Hilandar Obikhod: An Archaic Style in New Melodies. Publications No. 3, 51-55

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The Earliest Hymns to Saint Iosif Volotsky from the Eparchial Collection. Publications No. 6, 345-349

 

Arvanitis, Ioannis
The Heirmologion by Balasios the Priest. A Middle-point between Past and Present. Publications No. 1, 235-264

 

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Balageorgos, Dimitrios
Unity and variety in Orthodox music: The case of the Great Doxology (second half of the 18th century – beginnings of the 19th century). Publications No. 4, 121-38

 

Representing the Holy Trinity in Verse and Music. Publications No. 6, 188-195

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Byzantine musical tradition in Cyprus and Crete after the Fall of Constantinople. JISOCM Vol. 2, 1-11

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Barnes, Paul

Minimalism, Mysticism, and Monasticism: Concert Music Inspired by Byzantine Chant. JISOCM Vol. 2, 57-66

 

Beck, Caitlin
Sing and Eastern Song to the Lord. Publications No. 3, 347-355

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Black, John M.

Finding Beauty in Choral Relationships. JISOCM Vol. 2, 67-71

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Bolgarsky, Dmitry
Kievo-Pechersk Chant. Publications No. 1, 297-319

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Borovova, Žanna
The Liturgical Singing Culture of the Pomor’e Old Believers of the Baltic Region. Publications No. 3, 181-190

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Boyer, John Michael

Byzantine Chant for Congregational Singing. JISOCM Vol. 2, 72-82

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C

Carina, Vera
The Serbian Church Singing Society of Pančevo as a Part of Serbian Culture. Publications No. 3, 242-253

 

Chaldaeakes, Achilleas
The figures of composer and chanter in Greek Psaltic Art. Proceedings No. 2, 267-302

 

Singing antiphonally: unity or variety? Publications No. 4, 139-163

 

Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice. Publications No. 6, 138-152

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Chater, James
Staying awake at the Wheel. Some thoughts on arranging and composing Orthodox church music. Publications No. 1, 51-69

Between Babylon and Pentecost: Why the absence of a common translation should not be allowed to impede compositional creativity. Publications No. 2, 213-219

 

Chernyak, Dmitry
An Exploration of the Metrical System of Melismatic Singing of Psalms in liturgical use in Edinovercy Orthodox Parishes. Publications No. 4, 336-344

 

Creutlein, Tarja von 
Einojuhani Rautavaara’s All-Night Vigil in Memory of St. John the Baptist. Publications No. 1, 90-101

 

Crotty, Joel (with Livia Teodorescu-Ciocănea)
Spectral examination of Byzantine Chant archetype. JISOCM Vol. 1, 1-19

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D

Davydov, Alexander (with Sergei Starostenkov and Veikko Purmonen)
The Bells of the Uspensky Cathedral. Publications No. 3, 342-345

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Diasamidze-Graham, Ekaterine
The Coexistece of Russian and Georgian Chant. Publications No. 4, 179-182

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Dimitrov, Dimitar
Church Music in Bulgaria. Publications No. 1, 46-50

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Djaković, Bogdan
Serbian Orthodox Choral Music in the First Half of the 20th Century. Publications No. 1, 172-179

 

The Modern traditionalist Milivoje M. Crvčanin (1892-1978): A portrait of a priest, diplomat and composer. Publications No. 2, 191-198

 

Rediscovering a Serbian national style: Problems in sacred architecture, church art and church music in the late 1930s:

The case of the Orthodox choral music of Milenko Živkovic (1901-1964). Publications No. 3, 306-312

 

New Identities in Contemporary Serbian Orthodox Church Music: The Gypsy Liturgy of St. John Chrysostom by Zoran Mulić (2010). Publications No. 4, 318-324

 

Serbian Orthodox Choral Music: Its Revival over the Last Three Decades. Publications No. 6, 94-101

 

Dumitrescu, Alexandru-Marius
Byzantine Musical Tradition in Romania as Revealed in Romanian Anastasimataria (19th – 20th centuries). Publications No. 1, 30-40

 

E

Ealy, Gregory
Teaching and Tradition: Singing the Kievan and Bakhmetev Obikhods in English. Publications No. 6, 370-386

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Engelhardt, Jeffers 
”Every Bird Has Its Own Song”: Congregational singing and the making of Estonian Orthodoxy, 1840s-1930s. Publications No. 2, 303-336

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F

Freedman, Sydney (Novice Nicoletta)
‘Evidence of the Divine Economy’: Christ’s Work and Condescension through the Iconsand Hymns of Bridegroom Matins. Publications No. 6, 33-47

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Liturgically-informed Aesthetics: A Theological Approach to Chant Pedagogy and Performance. JISOCM Vol. 2, 83-89

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Freeman, Evan
Rethinking the Role of Style in Orthodox Iconography: The Invention of Tradition in the Writings of Florensky, Ouspensky and Kontoglou. Publications No. 6, 350-369

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G

Galadza, Daniel
Church Singing and Chant in Galicia, 1900-1944. An Historical and Theological Survey. Publications No. 3, 88-102

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The Russicum, Russia, and Ruthenians: The Life and Work of Ludwig Pichler, SJ. Publications No. 4, 379-392

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“Open your mouth and attract the Spirit”: St Theodore the Stoudite and Participation in the Icon of Worship. Publications No. 6, 441-454

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Garofalo, Girolamo
A Greek-Byzantine musical island inside an Italian island: the Byzantine chant of the Arbëresh of Sicily. Publications No. 6, 387-400

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Generalow, Alla
’Finding Asparagus at Christmas’: Nationhood and Russian Identity in the Performance Practice History of Rachmaninoff’s All-night Vigil, Op. 37. The Bells of the Uspensky Cathedral. Publications No. 3, 356-362

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Process in Contemporary Hymnography and Iconography: Fr Vasilije Sokolovic and his father, St Budimir of Dobrun. Publications No. 6, 15-22

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Gerasimova, Irina
The 17th Century Choral Concert Vošel esi vo cerkov’ by Nikolaj Dileckij: Tracing its Origin and Early Use. Publications No. 3, 287-299

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The ”Requiem” Liturgy by Nikolai Dileckij: Questions of Reconstruction. Publications No. 4, 370-378

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The Revived Icon of the Nativity of Christ in the 8-part Concert “A Mystery I Behold Which is Strange and Wondrous” by Cybul’skiy. Publications No. 6, 260-264

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Gheorgiță, Nicolae
Byzantine Chant in the Romanian Principalities during the Phanariot Period (1711-1821). Publications No. 2, 65-97

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Observations on the technique of transcription (ἐξήγησις) into the New Method of analytical music notation of the Sunday Koinonikon of the 17th and 18th centuries. Publications No. 4, 261-294

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Graham, John A.
”You Are the Vineyard, Newly Blossomed”: Contemporary performance aesthetics in Georgian Orthodox Chant. Publications No. 2, 256-266

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Without Parallel: Voice-Crossing and Textual Rhythm in West Georgian Chant. Publications No. 4, 164-177

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Grindenko, Anatoly
The Perspectives of Reviving Znamenny Singing in Russia. Publications No. 1, 363-374

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Gudkov, Aleksey
Eating the scroll: the motif of creative initiation in the iconography of Romanos the Melodist. Publications No. 6, 417-428

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H

Harkov, Stefan
Breitkopf’s influence: A Balkan way of musical publishing. Publications No. 2, 199-202

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Harri, Jopi
The ”Decay” revisited: The St. Petersburg Court Chant in the context of other common chant traditions of 19th century Russia. Publications No. 1, 102-129

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Principles of traditional harmonization in Eastern Slavic chant. Proceedings No. 2, 228-255

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On the Polyphonic Chant of Valaam Monastery. Publications No. 3, 203-224

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The Eastern Slavic Chant Manuscript ‘Great Feasts’ of the National Library of Finland, JISOCM Vol. 2, 21-36

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Husso, Katariina
Tradition re-evaluated: the Discourse on Orthodox Icons in Finland. Publications No. 6, 297-302

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I

Ismael-Simental, Emilia
Report on the Russian Orthodox Church in Mexico and its Current Musical Practice. Publications No. 3, 153-158

 

J

Jeremiah-Foulds, Rachel
Spiritual Independece, or a Cultural Norm? Galina Ustvolskaya and the Znamenny Raspev. Publications No. 3, 314-326

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Jaropolov, Alexei
Conceptualization of the Musical Alphabet in Russian Theory of the 17th Century. Publications No. 1, 320-344

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K

Karanos, Grammenos
Poetic and Musical Imagery in Kalophonic Heirmoi to the Theotokos. Publications No. 6, 429-440

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Kindratyuk, Bohdan

The Origins of Bell-Ringing in Kievan Rus, JISOCM Vol. 2, 37-43

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Kostyuk, Natalia
Congregational singing in divine services in the last third of the 19th – first decades of the 20th century. Publications No. 6, 334-344

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The Kiev Theological Academy Choir: Organization, Tradition and Experimentation. JISOCM Vol. 2, 44-50

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Kozarenko, Oleksandr
Sacred monody in the contemporary art of composing in Ukraine. Publications No. 2, 224-227

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Kreuz, Inge 
The Anabathmoi in Old Russian Manuscripts and in the Tradition of the Old Believers Based on Russian Sources from the Early 12th Century and from the 16th – 19th Century. Publications No. 3, 327-340

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Centonization in Old Russian Liturgical Chant. Publications No. 4, 442-452

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Kritikou, Flora
Kalophonic Settings of Stichera Idiomela in Byzantine and Cypriot Tradition: Points of Convergence and Divergence. Publications No. 4, 82-98

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Abbot Sisoes’ lamentation: a composition with iconographical origins. Publications No. 6, 126-137

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Kruchinina, Albina
Concerning the two types of offices for ascetic saints. Publications No. 2, 50-55.

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Kujumdzieva, Svetlana
Studying the Octoechos: From the Octoechos to the Anastasimatarion. Publications No. 3, 122-129

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Music for St Petka of Tārnovo. Publications No. 4, 199-211

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An interpretation of the Song of Moses miniature depicted in manuscript Vaticanus Graecus 752. Publications No. 6, 112-125

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L

Lingas, Alexander
How Musical was the ’Sung Office’? Some Observations on the Ethos of the Late Byzantine Cathedral Rite. Publications No. 1, 217-234

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Lucs, David
Introducing children to hymnography through iconography. Publications No. 6, 202-211

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M

Makarovskaya, Melitina
Znamenny Chant as a system of singing philosophy. Proceedings No. 2, 60-64

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Research on Local Old-Believer Liturgical Music Traditions. Publications No. 3, 165-170

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Concerning two liturgical singing traditions among contemporary priested Old Believers (Popovtsy). Publications No. 4, 251-260

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Manoras, Costas
The Musical Traditions of the Choir of the Greek Cathedral of St Sophia London. Publications No. 4, 421-440

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Marinčák, Šimon 
Notes on Congragational Participation in the Eparchy of Mukačevo. Publications No. 4, 63-71

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Some Observations on Musical Practice in the Eparchy in Mukačevo in the 18th Century. Publications No. 6, 102-111

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Metso, Pekka
Church music singing through the eyes of a theologian. Publications No. 1, 345-350

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Moisil, Costin
The Making of Romanian National Church Music (1859-1914). Publications No. 3, 225-231

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An Icon, a Pilgrimage, and a Few Songs. Publications No. 6, 212-218

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Moody, Ivan
The idea of canonicity in Orthodox liturgical art. Publications No. 2, 337-342

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Tradition and Creation in Bulgarian Orthodox Church Music: The Work of Petar Dinev. Publications No. 3, 232-241

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In Time and Out of Time: Theology in Sofia Gubaidulina’s St John Passion and St John Easter. Publications No. 4, 43-55

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Modernism and Orthodox Spirituality in Contemporary Music. Publications No. 5.

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St Mary of Egypt as Icon and Opera. Publications No. 6, 48-62

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Music, Beauty and Prayer. JISOCM Vol. 2, 51-56

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Mudri-Zubacz, Melita
Liturgical Song as an Aural Icon: Towards a Theology of Sound and Participation. Publications No. 6, 456-474

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Myers, Gregory
From Out of the Drawer: Faith, Ritual and Russian Orthodoxy – Nikolai Korndorf’s Setting of the Divine Liturgy. JISOCM Vol. 1, 20-32

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Archbishop John of Novgorod and the Singing of a Kontakion – Some Musical Evidence. Publications No. 6, 312-318

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N

Nastasă, Ionuț-Gabriel
Unpublished testimony concerning church music at Văratec Monastery in the first half of the 20th century. Publications No. 6, 225-239

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Nykänen, Petri
Approaching old tradition of chant in the Finnish Orthodox Church. Arrangements, Notation and Language. Publications No. 1, 75-83

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O

Ocneanu, Gabriela
Evstaties’s Cherubic Hymn compositios – his Cherubic Hymn in Mode III. Publications No. 2, 115-141

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New Results on the Transmission of Filothej’s Pripjala. Publications No. 3, 191-201

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Olkinuora, Jaakko
The adaptation of Byzantine Chant into Finnish. Publications No. 2, 142-152

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Archbishop Paul and the Quest for Finnish Orthodox Church Singing. Publications No. 3, 300-305

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“New” aspects of studying hymnography: The Doxastikon of the Aposticha of the feast of the Entrance. Publications No. 4, 230-239

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Four Typological Images of Mary in the Hymnography for the Feast of the Entrance. JISOCM Vol. 1, 33-42

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Approaches to Hymnography as Iconic Narration: The case of the Entrance of the Theotokos. Publications No. 6, 23-32

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Pancza, Dávid
The Filotean Pripěla. Analysis of text and melody. Publications No. 4, 471-484

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Peno, Sara
The Liturgical Typikon as a Source for Medieval Chanting Practice. Publications No. 2, 203-212

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The Post-Byzantine Psaltic origin of the recent Serbian church chant. JISOCM Vol. 1, 43-57

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Perković, Ivana
Musical symbols in Serbian liturgical poetry (Srbljak). Publications No. 4, 191-198

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Petrović, Danica
Church Chant in the Serbian Orthodox Church through the Centuries. Publications No. 1, 180-195

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Pietarinen, Anneli
Daily Vespers. A New Possibility for Parish Life. Publications No. 1, 71-74

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Piiroinen, Petri
”Vaeltajan lauluja”: A spiritual song collection in post-war Finland. Publications No. 4, 464-470

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Plotnikova, Natalia
The ”Requiem” Divine Liturgy by Vasili Titov: Findings and Enigmas. Publications No. 4, 407-420

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The Trezvony to Icons of the Mother of God in Partes Polyphony. Publications No. 6, 286-296

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Poliakova, Svetlana
Certain compositional characteristics in the heirmos of the 8th Tone (based on Russian sources from the 12th-17th centuries). Publications No. 1, 130-170

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Sin 319 and Voskr 27 as a Triodion set. Questions concerning the composition and disposition of daily hymnography. Publications No. 2, 32-43

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Sin 319 and Voskr 27 as a Triodion set. Questions concerning the content of commemorations and the counting system in the Triodion cycle. Publications No. 3, 131-152

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Purmonen, Veikko (with Alexander Davydov and Sergei Starostenkov)

The Bells of the Uspensky Cathedral. Publications No. 3, 342-345

 

R

Radakovich Holsberg, Lisa
A Simple Tune: Contemporary Chant Settings of Byzantine Poetry. Publications No. 6, 63-93

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Ramazanova, Natalia
The Idea of the Muscovy Tsardom in 16th Century Church Singing. Publications No. 3, 67-75

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Two Branches of Old Believer Literature in the Russian National Library. Publications No. 4, 308-317

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Ruottinen, Timo
Finnish Orthodox church music: Three generations of contemporary composers – Our musical iconography. Publications No. 2, 158-174

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S

Sander, Kurt

The Gift of Tears: Some Perspectives on ”Joyful Sorrow” in Orthodox Art and Music. JISOCM Vol. 2, 90-96

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Seppälä, Hilkka
The Dust of the Ground Praises His Creator. A View of the Essesnce of Orthodox Church Singing. Publications No. 1, 197-216

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Singing into flames of fire. A remembrance from the Martyr Church. Publications No. 2, 18-31.

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St Cecilia (Kikilia): A Musical Martyr in the Eastern and Western Traditions. Publications No. 3, 40-49

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The Unity and Variety of Church Music Traditions. A Theological View. Publications No. 4, 56-62

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Seppälä, Serafim
Music in the Temple of Jerusalem during the Time of Apostles. Publications No. 3, 27-38

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Is Existence a Song? Orthodox Remarks on the Relation between Music and Ontology. Publications No. 4, 29-42

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Shugliashvili, Davit
Similarities and Differences in the Georgian Chant School Traditions. Publications No. 4, 183-190

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Simmons, Nikita
”Po Ustavu” – According to the Typicon: The rituals and singing of the Russian Old Believers. Publications No. 2, 175-190

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Starostenkov, Sergei (with Alexander Davydov and Veikko Purmonen)
The Bells of the Uspensky Cathedral. Publications No. 3, 342-345

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Stroumpakis, Michael
The interpretative tradition of hymns in Athonite monasticism. Diversity and unity. A first approach. Publications No. 4, 99-119

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Byzantine Iconography and Byzantine Church Music: Two Parallel Paths. Publications No. 6, 173-187

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Takala-Roszczenko, Maria
Aspects of the Study of the Development of Orthodox Church Singing in Poland-Lithuania in the 16th-17th Century. Publications No. 1, 266-273

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The ”Latin” within the ”Greek”: The Feast of Corpus Christi in 17th-18th century Ruthenian Practice. Publications No. 3, 76-87

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“Imported on a jet-plane”: the Byzantine “revival” in Finnish Orthodox church music inthe 1950s-60s. Publications No. 6, 303-311

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Teodorescu-Ciocănea, Livia (with Joel Crotty)

Spectral examination of Byzantine Chant archetype. JISOCM Vol. 1, 1-19

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Troelsgård, Christian
Chant papyri and the ’Jerusalem Tropologion’. An important group of sources for the study of the formation of the earliest Orthodox chant repertories. Publications No. 4, 20-28

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V

Virolainen, Wilhelmiina
Some composers of Finnish Orthodox Music. Publications No. 1, 84-89

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Introducing Leonid Bashmakov: A Finnish composer. Publications No. 2, 153-157

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W

Woodill, Juliana

Children’s Choirs in Church. JISOCM Vol. 2, 97-102

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Z

Zakharina, Nina
Investigation into Russian Liturgical Chant Books of the 17th-21st Centuries. Publications No. 3, 254-261

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A Sticheron for the Feast of the Dormition of the Mother of God. Publications No. 4, 212-229

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Абийский, Мартин 
Проблема восстановления певческой традиции Супрасльского Благовещенского Монастыря на основании рукописного Ирмологиона 1598-1601 в историческом аспекте Византийского влияния. Publications No. 3, 104-113

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Алексеева, Галина 
Дольнее и горнее в Согласнике русской певческой Азбуки XVII века из Библиотеки Академии Наук 32.16.18. Publications No. 3, 262-275

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Память византийской традиции в русской певческой терминологии (на материале Азбуки XVII века БАН 32.16.18). Publications No. 4, 453-458

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Б

Болгарский, Дмитрий 
Киево-Печерский распев. Publications No. 1, 274-296

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Боровова, Жанна 
Богослужебно-певческая культура старообрядцев-поморцев прибалтийского региона. Publications No. 3, 171-181

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Д

Димитров, Димитар 
Церковная музыка Болгарии. Publications No. 1, 42-45

 

Г

Герасимова, Ирина
Ожившая икона Рождества Христова в 8-голосном концерте Цыбульского«Таинство странное вижу». Publications No. 6, 240-259

 

Гринденко, Анатолий
Возможность восстановления знаменнаго пения в России. Publications No. 1, 351-362

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Гудков, Алексей
Снедая свиток: мотив творческой инициации в иконографии Романа Сладкопевца. Publications No. 6, 401-416

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К

Козаренко, Олександр
Сакральная монодия в современном композиторском творчестве Украины. Publications No. 2, 220-224

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Костюк, Наталия
Общенародное церковное пение в последней трети ХІХ − первых десятилетий ХХ века. Publications No. 6, 319-333

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Кручинина, Альбина
О двух типах служб русским преподобным святым. Publications No. 2, 44-50

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М

Макаровская, Мелитина (M.B.)
Знаменный роспев как система певческого мышления. Publications No. 2, 56-60

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Изучение локальных богослужебно-певческих традиций староверия. Publications No. 3, 159-164

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О двух богослужебно-певческих традициях в современном старообрядчестве, приемлющем священство. Publications No. 4, 240-251

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П

Плотникова, Н. Ю. 
«Реквириальная» Служба Божия Василия Титова: Oткрытия и загадки. Publications No. 4, 393-406

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Трезвоны иконам Божией Матери в партесном многоголосии. Publications No. 6, 265-285

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Р

Рамазанова, Наталия (H.B.)
Идеи Московской государственности в церковном пении XVI века. Publications No. 3, 56-67

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Две ветви старообрядческой певческой книжности в Российской национальной библиотеке. Publications No. 4, 295-307

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Ч

Черняк, Дмитрий
Опыт прояснения метрики пространного пения в псалмах для употребления за богослужением. Publications No. 4, 325-336

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Index of Publications (by publication)

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