Composition and Chanting in the Orthodox Church
Proceedings of the Second International Conference on Orthodox Church Music
University of Joensuu, Finland - 4-10 June 2007
O dvukh tipakh sluzhb russkim prepodobnym svyatym
by Albina Kruchinina
The Byzantine Chant in the Romanian Principalities during the Phanariotic Period
by Nicolae Gheorghita
Byzantine Chant in Arbërëshe churches
by Ardian Ahmedaja
The Adaptation of Byzantine Chant into Finnish
by Jaakko Olkinuora
Vocal techniques of Russian Old-Believer Singing
by Nikita Simmons
The Liturgical Typikon as a Source for Medieval Chanting Practice
by Sara Peno
Unity or uniformity? How important is a unified translation?
by James Chater
Principles of harmonization in eastern Slavic chant
by Jopi Harri
The figures of composer and chanter in Greek psaltic art
by Achilleas Chaldaiakis
Every Bird has its own song”: Congregational singing and the making of Estonian Orthodoxy, 1840s-1940s
by Jeffers Engelhardt
The idea of canonicity in Orthodox liturgical singing
by Ivan Moody
ISSN: 1796-9581
ISBN: 978-952-99883-1-0
The Proceedings of the Second International Conference on Orthodox Church Music at the University of Joensuu include 22 papers given by musicians and scholars from eleven different countries. The volume is the second publication from the International Society for Orthodox Church Music.
$10
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