ISOCM News
Please send all relevant information for inclusion to the Rev. Ivan Moody at ivan.moody@joensuu.fi or Maria Takala-Roszczenko at mtakala@isocm.com.
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Tarja Jormalainen (von Creutlein) 1957-2010
Tarja was the Prodromos in the research of the Finnish Orthodox church music. She reached her academic goal before others and gave them a living example.
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ISOCM Members Participate in Orthodox Church Festival
Pomorie, Bulgaria – Members of the International Society for Orthodox Church Music (ISOCM) recently participated in the 7th annual International Festival of Orthodox Music "The Theotokos: It is Truly Meet," which took place here 9-13 June 2010.
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ISOCM Members Participate in Orthodox Church Festival
Joensuu, Finland – Members of the International Society for Orthodox Church Music (ISOCM) recently participated in the Festival of Finnish Orthodox Church “Church – the Hope of the Creation” which took place here 11-13 June 2010.
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Fourth International Conference on Orthodox Church Music Announced
Joensuu, Finland – The International Society for Orthodox Church Music (ISOCM) announced that the 4th International Conference on Orthodox Church Music will be held 6-12 June, 2011 at the University of Eastern Finland, in Joensuu, Finland.
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ISOCM Board Members Meet for Spring 2010 Meeting
Joensuu, Finland – Board members of the International Society for Orthodox Church Music (ISOCM) recently concluded their Spring 2010 meeting. During the internet-based meeting, a variety of topics related to the Society’s mission were discussed, including initial plans for the 2011 ISOCM conference.
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International Society for Orthodox Church Music to Hold Annual Meeting
Joensuu, Finland – The International Society for Orthodox Church Music (ISOCM) announced its 2010 annual meeting will be held Monday, 14 June 2010 at 14:00 in the building of the ex-Theological Faculty, University of Eastern Finland, Joensuu.
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ISOCM Board Chair Teaches at US Seminary
Crestwood, New York, USA – Fr. Ivan Moody, ISOCM Board Chairman presented a class on arranging liturgical music for parish usage at St. Vladimir's Orthodox Theological Seminary on Tuesday, May 25, 2010. That evening, Fr Ivan participated in a public forum about his life, his work, and his reflections on liturgical music.
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Archived ISOCM News
Previous news items which appeared on ISOCM.com
International Conference on Orthodox Church Music Concludes
Organization brings musicians from 14 countries together for dialogue and the sharing of ideas
The Third International Conference on Orthodox Church Music, hosted at the University of Joensuu, Finland by the International Society for Orthodox Church Music (ISOCM) concluded Sunday, June 14. During the conference, speakers from fourteen countries made presentations on topics related to the role of Church, State, and Nation in Liturgical Music.
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Greetings of His Eminence, Archbishop Leo of Karelia and All Finland at the Opening Reception for the Third International Conference on Orthodox Church Music
On behalf of the Orthodox Church of Finland I would like to express my gratitude for this occasion to be together with you friends from different orthodox churches. I am personally very glad that we are able to gather together for this third International Conference on Orthodox Church Music here in Joensuu.
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Greetings of Teuvo Pohjolainen, PhD,
Vice Rector of the
University of Joensuu at the Opening Session for the Third International Conference on Orthodox Church Music
On behalf of the University of Joensuu I have the great pleasure and honour to wish you all warmly welcome to North Karelia to the University of Joensuu and to the Third International Conference of Orthodox Church Music organized by Department of Orthodox Theology, Faculty of Theology at the University of Joensuu in co-operation with The International Society for Orthodox Church Music.
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Greetings of Hilkka Seppala,
Professor of Orthodox Church Music of the
University of Joensuu at the Opening Session for the Third International Conference on Orthodox Church Music
Undeniably, Orthodox Church music stands unequaled in the world. The musical principles were founded during the early days of the Christian Church, empowered by spiritual knowledge and wisdom; and prominent Byzantine theologians and Church teachers have contributed to its development and refinement.
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International Conference on Orthodox Church to open in Joensuu, Finland, June 8
Programme to focus on the role of Church, State, and Nation in Liturgical Music
After months of organizing and preparing, the board and members of the International Society for Orthodox Church Music (ISOCM) are ready to host the Third International Conference on Orthodox Church Music, beginning Monday, June 8 at the University of Joensuu, Finland.
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ISOCM Conference Proceedings Published
The proceedings from the Second International Conference on Orthodox Church Music, organized by the International Society for Orthodox Church Music (ISOCM), have been published, entitled "Composing and Chanting in the Orthodox Church."
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ISOCM Members Invited to Attend Annual Meeting
All current ISOCM members are invited to attend the 2009 Annual Meeting which will be held on Wednesday, 10 June during the Society’s 3rd international conference on Orthodox church music. The meeting will take place in the Faculty of Theology beginning at 4 p.m.
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New website launched by ISOCM, February 2009
The International Society for Orthodox Church Music (ISOCM) recently launched an expanded version of their website at www.isocm.com. The new website will enable the Society to enhance the development of musical resources throughout the worldwide family of Orthodox Churches.
Click here to read more.
New website launched by James Chater, November 2008
The English composer and musicologist James Chater recently launched a new website featuring his compositions, writings on music, and as James calls them, a few gratuitous comments on various political and other subjects.
Click here to visit his site: www.jameschater.com
New Vespers release by Roman Hurko, November 2008
Roman Hurko is pleased to announce the publication of his recent setting of Vespers (Вечірня). The fifteen-movement work is a setting, for double SATB chorus and soloist, of the complete Eastern-rite (Orthodox/Byzantine Catholic) Vespers, in the original Church Slavonic.
Click here to visit Roman's site: www.romanhurko.com
Scholarship for writing PhD in Germany
deadline was 30 Sept 2008!
Click here to read more about the program (in German).
ISOCM Chair ordained to the holy priesthood, October 2007
His Eminence, Metropolitan Polykarpos ordained ISOCM Chair Ivan Moody to the priesthood in Lisbon, Portugal.
Click here to read more and see photos.
ISOCM 2007 Conference Musical Highlights, June 2007
The 2nd ISOCM conference, organized in Joensuu, Finland in June 2007, was a feast of singing also off the academic stage. Some of the musical highlights of the Conference were recorded by David Lucs and are now included in the library collection of ISOCM in CD form.
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Another Book and CD Donation from Greece
Protopresbyter Fr Spyridon Antoniou, an ISOCM member and speaker at the Second International Conference in Joensuu, has donated to the Society his study on Byzantine singing and a CD performed by his choir and conducted by himself.
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ISOCM Board Meeting in Ilomantsi, Finland, July 2006
The Board of ISOCM met during Pyhän kosketus, an international church music festival in Ilomantsi, Finland.
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Book Donation from Greece, May 2006
ISOCM has received a book donation containing studies of Byzantine music written by Fr. Nektarios Paris and Dr. Panagiotes Ch. Panagiotides.
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Protopsaltes Nikolaos Nikolaides 1943-2006
It is with great sadness that we report the passing of Nikolaos Nikolaides, Archon Protopsaltes of the Ecumenical Patriarchate in Stockholm on 25th March 2006. Eternal memory!
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Annoucing A New International Music Conference to be held, June 2005
The music of the Orthodox Church, in all its diverse cultural manifestations, constitutes one of the riches of the artistic heritage of the world. The constantly increasing popularity and knowledge in the West of the various repertoires which make up this heritage, paralleling the increased exposure of the Orthodox Church outside its traditional territories, have generated a correspondingly greater interest both on part of performers, and of scholars in the fields of musicology and liturgiology.
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